Crisman Photo

chris crisman richard branson portrait photography pdn photoserv

“Crisman’s photographic approach and style are the result of years of refining his process and vision, but the core values in his imagery have never changed. “I always try to make captivating, honest and noble pictures,” he says. The 24 pages of “Up” show just that, from the empty stretch of the runway meeting the horizon of the open sky, to the industrial beauty of the spacecraft that will lead into the next space era, to Sir Richard Branson looking out over the California desert where an idea he concepted nearly two decades ago is nearing its completion.” – PDN

chris crisman richard branson portrait photography pdn photoserv

We’ve been interviewed for PDN PhotoServe about our recent shoot with Sir Richard Branson and Virgin Galactic for Wired UK. Chris goes in-depth to discuss how the project came to be, the unique challenges we faced, and our reaction documenting this incredible endeavor. It’s definitely a worthwhile read!

chris crisman richard branson portrait photography pdn photoserv

Make sure to check out the full article over on PDNonline.com. For even more of the story, we broke the shoot down into three parts on the blog:

Part I – the Spaceport

Part II – The Features

Part III – The Cover

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chris crisman weekly wrap up editorial advertising editorial tra

We’re going on day 11 of straight shooting, and even though it doesn’t exactly feel like Friday for us (we’ve totally lost track of time at this point), the calendar tells me it’s time for another recap of what we’ve been up to for these past few days. As the name of the blog post suggests, we’re still down in Texas working on the huge project for the city of San Antonio. We’ve had plenty of long days on location and in the studio, and as usual, we have tons of photos to prove it. Keep reading to take a look at some of the more interesting moments from this week…

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In the fall of 2012 we took on an exciting campaign, shooting still photography and directing video. Working for RTC Agency and AARP Services, Inc. – Chris took a seat in the directors chair to produce five 15 second spots as well as five matching print ads. The results? We couldn’t be more excited to debut them today.

chris crisman advertising director aarp commercial

Each of the five commercial spots has a matching print ad – our still crew worked in tandem with the video production to match the mood and feel of the motion in a single image.

chris crisman advertising director aarp commercial

As you can see from the commercials and the print ads, each still shot reflects that one crucial moment from the video when our hero subject realizes their mistake. We shot and directed the video spots first, quickly transitioning our strobes and octabanks in to replace the HMI lighting from the video crew.

chris crisman advertising director aarp commercial

Our shoot lasted three days over five different locations in and around New York City. We were up well before the sun on all of our shoot days, making the most of daylight in order to get this massive project shot.

chris crisman advertising director aarp commercial

Thanks to tons of planning and incredibly precise pre-production, we were able to make it all happen. It’s certainly no easy task to coordinate full scale photo and video production across multiple locations.

chris crisman advertising director aarp commercial

We owe a big thanks to our video crew for the shoot. They may have different and sometimes strange names for all of their grip, but they sure as hell can rig, light, and shoot in any location. It’s impressive.

Last but certainly not least, we captured behind the scenes footage of the entire experience and cut it to some awesome punk rock music. Directing and shooting real deal commercial video is a massive undertaking and this behind the scenes video barely scratches the surface of what we learned working with the film crew over those few days.

Questions? Comments? Let us know below or @crismanphoto!

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chris crisman PECO ogres advertising photography

For the last few years, we have worked with the Tierney agency on a campaign for PECO Energy. For all of you Philadelphians out there, I’m sure you’ve seen the TV commercials and billboards all over our fine city that feature the “PECO Ogres,” urging you to conserve energy in a variety of different ways. for everyone not from our area, well you’re just missing out on some quality advertising. From dishwashers to light-bulbs, air conditioners to fuse boxes, we have been fortunate enough to create the still images for this multi-year advertising campaign.

chris crisman PECO ogres advertising photography

Every year that we work on the campaign, it has provided us with new and interesting inatimate subjects to work with – each with their own unique set of challenges. In the summer of 2012 we spent the day making portraits of this years latest Ogres. Keep reading to find out  how these images came together and see a handful of behind the scenes from the shoot…

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chris crisman weekly wrap up editorial advertising editorial tra

It’s Friday and although that doesn’t quite mean the end of the week for us, we have another San Antonio wrap-up to share. After a quick weekend in Philadelphia, we were back in Texas kicking off the second round of shoots for the massive campaign we’re working on. The past few days took us from studio shoots to wrangling rhinos to photographing roller-coasters – it has definitely been a wild ride and we have the photos to prove it. Keep reading for more behind the scenes action…

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chris crisman assistant interview tye worthington

More often than not, the smartest decision is also the most intimidating. Only when you get past that initial fear can you realize the true value in taking a leap of faith and really putting yourself out there. In so many words, this is the advice that we gave our rockstar assistant and good friend Tye Worthington last year when he was contemplating a relocating to New York City.

Tye joined up with our team all the way back in 2010 as an intern while attending the Art Institute of Philadelphia. As time went on, he became an assistant and a friend – someone who we can always count on to get the job done, whatever it may be. He’s a workaholic and a friend that I’m proud to have known for the past few years – enough from me though, I’ll let Tye tell the rest…

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We work like crazy. As a studio manager/producer/assistant/blogger life very rarely slows down to the point where I can step back and reflect on it. When it does though, I find myself mulling over aspects of this job that might seem so inconsequential, but for me hold deeper meanings. I’ve decided to write this monthly series on the blog to take a minute and stop, reflect, and write about some of the aspects of being a studio manager that really impact me. These are my studio manager meditations.

chris crisman photography studio manager meditation

Taking out the Trash.

No matter who you are or how long you’ve been in this business, there are still moments when you need to roll up your sleeves and take out the trash. This is not a bad thing, and as someone who’s found himself arms deep in garbage every now and then, I’m in no way complaining. You might even say that I enjoy it.

It’s certainly true that no one is above it, and you call me a hypocrite if you like, but one of the first things that we’ll ask an intern to do is take out the trash. I don’t want to be a malevolent manager or rule the studio with an iron fist – I just feel that in the same way as coiling cables, you can tell a lot about someone from the way they handle a simple task like that. Are they methodical or sloppy, careful or haphazard? Do they really care about the task at hand? No job, however small or trivial is deserved to be half-assed.

This simple and sometimes thoughtless act that could signal the end of the week, wrapping up a good shoot, or just clearing out the junk. Although it’s a repeated task that never seems to go away, the act of taking out the trash and the contents of what you’re throwing away are always unique. In this industry that could be anything from torn and tattered seamless paper, to the remains of a catered lunch, piles and piles of paperwork, or even packaging from the latest and greatest piece of photo gear.

It’s not pleasant to wrestle with an overstuffed bag of trash; folding bending, stuffing, wrangling shut and tying closed. You might get dirty, you might break a sweat, but the act is necessary. You can’t just stop and let the junk pile up around you.

That being said, we’re always taking out the trash. We simply don’t have the time or the space to let it stack up, especially since we’re always growing, always creating and always striving to make the next photo better than the last. As an artist and a creative, you never want to stop improving and creating – the minute you get on your heels is the minute you’re done. So how do you make room for everything? How do you clear up the mental space to make your next photo be your greatest?

You have to take out the trash.

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