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Thoughts

It’s not often that we have the time to slow down, and really immerse ourselves in a good article, book, or magazine. When the opportunity affords itself, we’re often looking far and wide for a good read that’s worth the time. Whether that can be found on the bookshelves in the studio, the stack of magazines on our desk, or queued up in an RSS feed on the web, the sheer amount  information is plentiful out there – it’s just a matter of filtering out the junk. Lucky for you, we have a new monthly series on the blog that cuts through the crap and shares inspiration and information that we find especially valuable. Consider it required reading.

chris crisman required reading heather elder community table

Entire books and endless magazines are devoted to the craft, technique, and technology of photography. With enough time and enough patience, almost anyone with a camera can learn the skill-set and train themselves to see light, shape light, and make beautiful photos. Alternatively, there are countless artists in our creative industry that create beautiful work but have no experience or knowledge in the business of photography. It’s not easy. The business is not often discussed; mainstream attention tends to focus on the “how-to” of making photos, not becoming a commercial photographer. Thankfully, the information is out there. Our rep Heather Elder writes an excellent blog that often delves into the business side of photography.

One of the most insightful articles she writes is The Community Table, a series of conversations held directly with the top minds in our industry. Most recently she sat down with a dozen Art Producers in San Fransisco to discuss topics touching on everything from the state of the photography to licensing and usage, copyright, and the bidding process. In all honesty,  you’d be hard-pressed to find a more informative yet personal look into the business of photography today. Do yourself a favor and set aside some time to read through The Community Table San Fransisco:

Community Table SF – The Appetizer Part I

Community Table SF – The Appetizer Part II

Community Table SF – The Main Course Part I

Community Table SF – The Main Course Part II

Community Table SF – Dessert Part I

Community Table SF – Dessert Part II

Community Table SF – The Digestif

 A big thanks to everyone at Heather Elder Represents and Brite Productions for making the Community Table series possible. Any questions? Thoughts? Let us know @crismanphoto or in the comments.

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There are some truly creative people in this industry. Let’s face it, you’ve got to be constantly concepting, developing, and executing or you get left in the dust. I’m fortunate to work with some really dynamic and inspiring people, ranging from art directors, to producers, to creative directors, photo editors, art buyers, and print producers. Instead of questions about email blasts, printed promos, and portfolio reviews, I think that it’s time that I put some of them on the spot to show us their meaning of Life. “The meaning of Life” may be a little far flung to answer in only ten questions, but hopefully these interviews will serve to distill some of the inspired and intellectual energy of the creatives that we work with.

chris crisman 10 questions meaning of life ryan donnell

One of the best guys I’ve known in Philadelphia has packed up his family and moved to Des Moines, Iowa. I’ve known Ryan Donnell since our time working together at Wonderful Machine. He’s a clever gentleman and a talented photographer. Keep reading to take a listen to him and take a minute to get familiar with his work. You’ll like it. I promise.

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chris crisman assistant interview tye worthington

More often than not, the smartest decision is also the most intimidating. Only when you get past that initial fear can you realize the true value in taking a leap of faith and really putting yourself out there. In so many words, this is the advice that we gave our rockstar assistant and good friend Tye Worthington last year when he was contemplating a relocating to New York City.

Tye joined up with our team all the way back in 2010 as an intern while attending the Art Institute of Philadelphia. As time went on, he became an assistant and a friend – someone who we can always count on to get the job done, whatever it may be. He’s a workaholic and a friend that I’m proud to have known for the past few years – enough from me though, I’ll let Tye tell the rest…

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We work like crazy. As a studio manager/producer/assistant/blogger life very rarely slows down to the point where I can step back and reflect on it. When it does though, I find myself mulling over aspects of this job that might seem so inconsequential, but for me hold deeper meanings. I’ve decided to write this monthly series on the blog to take a minute and stop, reflect, and write about some of the aspects of being a studio manager that really impact me. These are my studio manager meditations.

chris crisman photography studio manager meditation

Taking out the Trash.

No matter who you are or how long you’ve been in this business, there are still moments when you need to roll up your sleeves and take out the trash. This is not a bad thing, and as someone who’s found himself arms deep in garbage every now and then, I’m in no way complaining. You might even say that I enjoy it.

It’s certainly true that no one is above it, and you call me a hypocrite if you like, but one of the first things that we’ll ask an intern to do is take out the trash. I don’t want to be a malevolent manager or rule the studio with an iron fist – I just feel that in the same way as coiling cables, you can tell a lot about someone from the way they handle a simple task like that. Are they methodical or sloppy, careful or haphazard? Do they really care about the task at hand? No job, however small or trivial is deserved to be half-assed.

This simple and sometimes thoughtless act that could signal the end of the week, wrapping up a good shoot, or just clearing out the junk. Although it’s a repeated task that never seems to go away, the act of taking out the trash and the contents of what you’re throwing away are always unique. In this industry that could be anything from torn and tattered seamless paper, to the remains of a catered lunch, piles and piles of paperwork, or even packaging from the latest and greatest piece of photo gear.

It’s not pleasant to wrestle with an overstuffed bag of trash; folding bending, stuffing, wrangling shut and tying closed. You might get dirty, you might break a sweat, but the act is necessary. You can’t just stop and let the junk pile up around you.

That being said, we’re always taking out the trash. We simply don’t have the time or the space to let it stack up, especially since we’re always growing, always creating and always striving to make the next photo better than the last. As an artist and a creative, you never want to stop improving and creating – the minute you get on your heels is the minute you’re done. So how do you make room for everything? How do you clear up the mental space to make your next photo be your greatest?

You have to take out the trash.

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chris crisman photography how we travel tips and tricks

We travel a lot. So much in fact that you could say we have it down to a science. Before we even arrive at the airport, Chris and our team know that everything is in order – when you’re on the road and up in the air as much as we are, you can’t leave anything to chance. How do we do it? Keep reading for an in-depth look at how we travel…

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chris crisman interview patrick onofre podcast

 

“The driving force of my career is making work where I’m the art director, I’m the stylist, I’m the photographer – where it’s totally independent and I’m controlling as many aspects as possible. [Commercial photography] is a very cooperative effort to meet in the middle… but when I do my own work, there are no rules. I just make the pictures that I’m passionate about, the pictures that I stay up at night, trying to conceive.”

 

A few weeks ago we hopped on Skype for an hour or so and spoke with Washington DC based photographer, blogger, and podcast-er Patrick Onofre. Patrick has been producing the Staying in Focus Podcast since 2012 and we are honored to be featured in his most recent episode. Over the course of the show, Chris and Patrick chat about everything from the Philadelphia restaurant scene to his tastes in photography, to what really drives Chris to make photos. It’s not often that we have the time to sit down and talk about photography, make sure to give it a listen!

A big thanks to Patrick – make sure to check out the rest of the Staying in Focus podcast (which you can subscribe to on iTunes), as well as checking him out @OnofreShoots. Any questions, thoughts? Drop us a line in the comments and let us know.

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We work like crazy. As a studio manager/producer/assistant/blogger life very rarely slows down to the point where I can step back and reflect on it. When it does though, I find myself mulling over aspects of this job that might seem so inconsequential, but for me hold deeper meanings. I’ve decided to start this monthly series on the blog to take a minute and stop, reflect, and write about some of the aspects of being a studio manager that really impact me. These are my studio manager meditations.

chris crisman studio manager meditation early morning photo phot

 Early Mornings.

Waking up early is never easy. No matter how early you go to bed the night before, every minute before a 6:00am wake-up gets harder and harder. Opening your eyes, only to find yourself in a pitch-black motel room in the middle of nowhere is simultaneously a very strange and familiar feeling for me. Those of us who have experienced this understand that no matter how many times you’re there, it is never easy.

As is is the nature of this job, and this industry, you’ll often find yourself in this position. You groggily attempt to silence your alarm and pull your feet from out the covers and onto the floor of an unfamiliar place.

For as difficult as this process can be, there is always an undeniable feeling of excitement. Even if you’re starting the day hours before you’d like to, you are waking up with a sense of purpose – the sun is going to rise and you’ll be making photos before you know it. There’s also the anticipation. Not only for the sun to rise and for the world around us to wake-up, but for what lies ahead on set for us that day, wherever we may be.

Often, it’s still dark when you choke down the hotel breakfast, checkout, and make your way to the truck. You do that one last run down on the checklist in your head to make sure all the gear is packed; you never want to be the assistant, or worse the photographer who leaves the cameras at the hotel.

Finally, you’re on the road, en-route to the location. When you’re photographing in places like us, you often don’t see where you’re headed until right before you arrive. The inky black sky of last night turning to the first deep blue of this morning; gradating brighter and brighter before the sun unleashes any number of unknown colors across the horizon.

You take a sip of coffee and you’re ready for whatever the day might bring. It’s this moment that makes up for that alarm blaring, dark stumbling, feeling around for a obscure light switch in an unfamiliar room.

This is the moment that you wake up early for.

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